Darja Pimanova

Work on television stands for crazy life style, that is also around-the-clock creating things when you meditate on the possibility to combine both actual tendencies and events and make out something to amuse everybody. However in the constant quest for the tops you’d better preserve your good consciousness…I mean this is what real professionals do comparing to the bastards who can make out any nasty thing about their characters just to pursue cheap fame.

I have to confess that some certain degree of “the yellow” is a must for every TV project.

Now I try to make as sweet and warm-hearted comedies as we had in the times of USSR. Nevertheless some part of that kindness and warm energy lacks nowadays. I cherish the desire to get them back and I really hope I am on the right way.

Friendship is an around-the-clock notion, I’d even say it’s rather a demanding job. But it’s really worth.

People in USSR didn’t strain too much after kudo, and after material prosperity. Well, there were not that much to strive for in this direction. One had the possibility to think about the good and eternal. This could be clearly seen in the art, which got more subtle and touchy flavor at that time. Well, it all depends though.

Laziness is my magic companion. (laughing). There’s one amusing thing about laziness: you can lie on the sofa and dream and then you’ve got something to personify into life afterwards.

I’ve got a unique hobby: I maintain a list where I point out various eyefuls my friends would like to get for the coming holidays or, for example, their birthday. It can even be some amusing clothes peg! Well, what is really important is the attention you pay to a person and not the present in itself.

Fame is a really dangerous trap of a lifetime. You know in 99% of cases people tend to lose firm ground, they stop analyzing things.

Well, as any female biscuit, as a fresh stage director and an experienced journalist I would like to become famous. At the same time I have definite fear for the thing, as I’ve happened to witness some people losing their identity in the beams of fame.

I like to smell watermelon — a kind of combination of sweet, tender and fresh tunes.

I’ve never been able to grasp my Dad’s going crazy about hand watches. And you know what, after he had given me a luxurious watch some day I got crazy about this stuff too.

I am a very modest, sentimental, romantic kind of a person. Sometimes I tend to fall for some dribs and drabs, like gather theatre tickets or keep sweet messages in my telephone for years.

What I inherited from my parents are culture, external sense refinement and some pathological delicacy. I must say that the letter interrupts with my work greatly as I lack some impudence at times. On the other hand it can be the key to my success as it enables me to openly look into the eyes of my plots’ characters after the air. This makes the actors work with me in the future again. Unfortunately not all of my colleagues can do the same.

I can display my friendship with many respected people, they value me on my individual traits. I am not a kind of a smash for them, as it often happens in the sphere of cinema and Television.

Severity can seem beautiful in the context of art only.